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A https://www.bbc.co.uk/writersroom/resources/scriptwriting-essentials/3-beginnings-and-endings/ Great endings somehow feel inevitable - they are what should follow-on from everything that has gone before. Yet they must also not be predictable – if we can simply see what's happening and predict how we're going to get there, then there's no surprise along the way. So does the ending truly deliver what you set up at the start? But does it also come in a surprising and somehow unpredictable way? Great endings satisfy the audience – but satisfying them doesn't mean simply making them happy and being obvious. Satisfaction means following through, it means not having frustratingly open or ambivalent endings, it means not tacking on a car chase or a plot 'twist' to make things exciting, it means bringing events and story to a meaningful climax, it means bringing drama characters to a point of understanding and realisation about themselves, it means keeping comedy characters somehow trapped by their shortsightedness. Great endings fit. Bad endings jar. Great endings bring the story to the boil and then deliver. Bad endings go off at tangents or fizzle out or just stop without any real sense of conclusion or satisfaction. Great endings have an impact. Bad endings implode. Bad endings forget the audience. Great endings respect the audience.

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Take me to slaver's bay, put a **** in my hand, I'll prove my worth.

V Variety @Variety Toxic fandoms have grown so powerful that while talent, executives and publicists privately bemoan the issue, fear of triggering another backlash kept several studios from speaking for this story. variety.com Toxic Fandom: How Hollywood Is Battling Fans Who Are Just Out For Blood' - From S...

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awful meme I thought up at work | /r/FreeFolk

Theon Greyjoy BE LIKE Getting my d--- cut off SUCKS Bitch YOU Betrayed THE Robb.

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Maybe because Abortion was banned in Westeros so Lyanna had to travel to safer Dorne for more options | /r/FreeFolk

SER MAESTER DAYNE How's my sistuh? Things get-complicated when you're too far into term. l improvised.

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The Florida Citrus Center north of Jacksonville, FL has everything you need. | /r/FreeFolk

Arrowheads Handcarved OBSIDIAN 1.99 ea. %24

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Don't forget what they stole from us... | /r/FreeFolk

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I really hated this storyline in the final season. I hate that people actually defended it. This article is from a person who hated the actual season eventually. | /r/FreeFolk

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Felt extremely nostalgic. Decide to rewatch Season 1. Saw this, and got so upset. It all meant fookin' nuffin'. We were ROBBED. | /r/FreeFolk

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Who's got the most plot armor on the show? | /r/FreeFolk

WEB pe

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He gets my vote! | /r/FreeFolk

✰✰✰✰ ELECT **** JOHN SNOW Clerk of Superior Court FORSYTH COUNTY

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Winds Of Winter will be way bigger than Storm of Swords or Dance with Dragons. | /r/FreeFolk

THE WINDS OF WINTER is going to be a big book. The way it is going, it could be bigger than A STORM OF SWORDS or A DANCE WITH DRAGONS, the longest books in the series to date. I do usually cut and trim once I finish, but I need to finish first. I saw rough cuts of a couple more episodes of HOUSE OF THE DRAGON, and was just as pleased as I was with the earlier episodes. Ryan and Miguel and their cast and crew are doing great work. Those of you who like complex, conflicted, grey characters (as I do) will like this series, I think. There will be plenty of dragons and battles, to be sure, but the spine of the story is the human conflicts, the love and the hate, character drama rather than action/ adventure.

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Jaime Lannister, proud feminist | /r/FreeFolk

Storm of Swords Jaime II: Brienne: It is a rare and precious gift to be a knight and even more so a knight of the Kingsguard. It is a gift given to few, a gift you scorned and soiled Jaime: A gift you want desperately, wench, and can never have A FEW MOMENTS LATER Arise Brienne of Tarth a Knight of the Seven Kingdoms

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:( | /r/FreeFolk

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literally . | /r/FreeFolk

Wow... he is LITERALLY me! Oc

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/r/freefolk - I'm not sure D&D read any of the advise on the BBC writers room website before writing the last few seasons... I mean... good to know Bronn wasn't trapped by his short sightedness! Did the ending really deliver what was set up from the start? Or did they

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A https://www.bbc.co.uk/writersroom/resources/scriptwriting-essentials/3-beginnings-and-endings/ Great endings somehow feel inevitable - they are what should follow-on from everything that has gone before. Yet they must also not be predictable – if we can simply see what's happening and predict how we're going to get there, then there's no surprise along the way. So does the ending truly deliver what you set up at the start? But does it also come in a surprising and somehow unpredictable way? Great endings satisfy the audience – but satisfying them doesn't mean simply making them happy and being obvious. Satisfaction means following through, it means not having frustratingly open or ambivalent endings, it means not tacking on a car chase or a plot 'twist' to make things exciting, it means bringing events and story to a meaningful climax, it means bringing drama characters to a point of understanding and realisation about themselves, it means keeping comedy characters somehow trapped by their shortsightedness. Great endings fit. Bad endings jar. Great endings bring the story to the boil and then deliver. Bad endings go off at tangents or fizzle out or just stop without any real sense of conclusion or satisfaction. Great endings have an impact. Bad endings implode. Bad endings forget the audience. Great endings respect the audience.

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